Ask anyone about what they think of glass used as a material or finish and you will get very divided opinions – traditionalists consider it too modern; modernists too minimal and up-cyclers too clean. It’s never going to tick every box but I think we can agree that one thing glass does fantastically is let light in. Earlier in the year I mentioned clients who I had ‘talked into’ putting a wall back in their downstairs living space, which had been carved up by an architect some 17 years ago and was now not meeting the family needs.
I persuaded them that a glass wall would allow the space to have an element of privacy as well as maintaining a connection throughout – it would allow the space to function as three independent areas while still being linked visually by the wall itself. Happily they loved the idea and we reconfigured the entire downstairs – moving the kitchen to the rear and creating two reception areas to the middle and front which the glass wall would enclose. The tv snug is the central space which takes advantage of the lower light levels and it is this area that is formed by the glass wall – but it the front room into the bay window that has really been transformed. Previously the kitchen, this space is now a grown up and relaxed place to sit and read or chat. It’s taken back a sense of the grandeur of the architecture (very high ceilings) without any of the stuffiness that some Victorian buildings seem to possess.
What it’s also done is allow us to re introduce the stairs – which had been consigned to a ‘coal chute’ by the architect in favour of over sized doors. It was so interesting to see how they used the space before the wall went back in – the middle area was the dining room and the furniture was against the wall, the kitchen was to the front with the units against the walls. The space was incredibly limited in what it could do and the architect had only added to this; the ‘space’ was only used for movement. And here’s the thing, if a building is already tall emphasising this will make the rooms feel narrow; when people walk through a space like this they follow pathways – even if there isn’t one – they don’t venture into the space because the height is telling them that it’s not generous enough for them to walk wherever they want.
People don’t trust space that they don’t understand. Weird but true – I’ve put walls back in before because the space (another downstairs) had been opened up completely and no-one ever used the middle of the room (the junction point between the original rooms) – ever. Just putting back in the piers where the walls ended and creating an opening with a column effect gave the entire downstairs a sense of structure and all of a sudden the space became more relaxed; it felt like it could breathe again.
With putting the glass wall in, the rooms now get walked into and around because the furniture is arranged across the space and not just along the walls. This makes the space more visually interesting and also more flexible – there are now two seating areas as well as the kitchen-diner. Nothing feels cramped but there is definitely more furniture in the space than there was before.
The interesting thing for me as a designer is how this space will look in 10-15 years time. Might they feel then that a solid wall would be more practical? It’s possible – and because of the way it’s been constructed, they could certainly do that, if they wanted. But think about glass internal walls in office spaces or hotels. It’s that element of curiosity that makes them interesting, the fact that you can glimpse what is happening 5 or 10 metres away adds a drama to an otherwise blank canvas. And so it is here, because the wall is also a window it both contains and disappears. Best of all, with the lights on, the furniture glows and the space looks a bit like a jewel box – or a glass bauble. Your every day solid wall doesn’t do that. So I’m willing to bet that because the wall is glass, it’ll still be looking good.